Best known for his work with The Rolling Stones, Nicky Hopkins’ Blues-soaked piano figures also featured on the work of The Jeff Beck Group, The Who, The Steve Miller Band, Jefferson Airplane, Quicksilver Messenger Service and a host of others. [80] Dave Davies scored a major UK chart success with the album's "Death of a Clown". [155] The Kinks gave their last public performance in mid-1996,[156] and the group assembled for what would turn out to be their last time together at a party for Dave's 50th birthday. [6] Their music was influenced by a wide range of genres, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The lyrics describe two lovers passing over a bridge, with a melancholic observer reflecting on the couple, the Thames and Waterloo station. [3] They were ranked 65th on Rolling Stone magazine's "100 Greatest Artists of All Time" list. [161], Quaife, who had been receiving kidney dialysis for more than ten years, died on 23 June 2010, at the age of 66. So he's [Ray] got demos on his computer, and I've got them on mine in a different form. [114][124] The band embarked on an ambitious US tour throughout late 1974, adapting the Preservation story for stage. See more ideas about Nicky hopkins, Piano player, Hopkins. [49] Music historian Jonathan Bellman argues that the song was "extremely influential" on Davies' musical peers: "And while much has been made of the Beatles' 'Norwegian Wood' because it was the first pop record to use a sitar, it was recorded well after the Kinks' clearly Indian 'See My Friends' was released. "[70][74] Despite its complex arrangement, the sessions for "Waterloo Sunset" lasted a mere ten hours;[67] Dave Davies later commented on the recording: "We spent a lot of time trying to get a different guitar sound, to get a more unique feel for the record. [10] Four Kinks albums have been certified gold by the RIAA and the band have sold over 50 million records worldwide. [4][7], The satirical single "Sunny Afternoon" was the biggest UK hit of summer 1966, topping the charts and displacing the Beatles' "Paperback Writer". "[190] Queen guitarist Brian May credited the band with planting "the seed which grew into riff-based music. The Leeds 1971 set can be heard on the Sticky Fingers deluxe version and the 1972 set can be heard on Ladies & Gentlemen.There are some great boots like Welcome To New York and Philadelphia Special.I've also listened a lot to Jerry Garcia Band 1975 shows where Nicky … I think [producer] Shel Talmy went too far in trying to keep in the rough edges. [101] As with the previous two albums, Arthur was grounded in characteristically English lyrical and musical hooks. [3][154] Several of the most prominent bands of the decade cited the Kinks as a major influence. [44][45] After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Nicky Hopkins (born Nicholas Christian Hopkins (February 24, 1944, Harlesden, North London – September 6, 1994 in Nashville, Tennessee, U.S.) was an English pianist and organist. [44][45] Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years,[3][181] possibly due to their rowdy on-stage behaviour. [160] However, hopes for a reunion were dashed in June 2004 when Dave suffered a stroke while exiting an elevator, temporarily impairing his ability to speak and play guitar. While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins … [111] The record featured the ballad "Celluloid Heroes" and the Caribbean-themed "Supersonic Rocket Ship", their last UK Top 20 hit for more than a decade. It was a European sound rather than an Eastern sound but with a strong, legitimate Eastern influence which had its roots in European folk music. [6][136] To promote the album, the Kinks spent the end of 1981 and most of 1982 touring relentlessly,[4] and played multiple sell-out concerts throughout Australia, Japan, England and the US. Preorder Imagine The Ultimate Collection at Amazon http://bit.ly/JL-UM-AmYoko: Nicky Hopkins’ playing on ‘Jealous Guy’ is so melodic and beautiful that it still makes everyone cry, even now. [46] It has been reported that an incident when the band were taping Dick Clark's TV show Where the Action Is in 1965 led to the ban. "I remember playing it when I was at Fortis Green the first time I had a tape of it", Ray said. [18] He then formed his own group, Rod Stewart and the Moonrakers, who became a local rival to the Ray Davies Quartet. [134][135], The next Kinks album, Give the People What They Want, was released in late 1981 and reached number 15 in the US. Marten, Neville; Hudson, Jeff (2001). [197][198] The musical's name came from the band's 1966 hit single "Sunny Afternoon"[199] and features songs from the band's back catalogue. There were, "Everyone was panicking because 'Wonderboy' wasn't sounding like a hit record. I was with the Beatles the evening that they actually sat around listening to it on a gramophone, saying 'You know this guitar thing sounds like a sitar. The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. [98] Davies immediately called up John Dalton, who had replaced Quaife three years prior, and asked him to rejoin. [10] The RIAA has certified four of the Kinks' albums as gold records. [3], Ray Davies (rhythm guitar, lead vocals, keyboards) and Dave Davies (lead guitar, vocals) remained members throughout the band's 32-year run. "[83] "Days" reached number 12 in the United Kingdom and was a Top 20 hit in several other countries, but it did not chart in the United States. [25], Around this period, the Ravens decided on a new, permanent name: the Kinks. [6][9], The Kinks reverted to a four-piece band for the recording of their first Columbia album, Phobia, in 1993. [3] Craig Nicholls, singer and guitarist of The Vines, described the Kinks as "great songwriters, so underrated". [171] In June 2018, the Davies brothers said they were working on a new The Kinks' studio album with Avory. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. [8], The Kinks have had five Top 10 singles on the US Billboard chart. "[93] The record did not escape criticism, however. Nicky Hopkins doesn’t actually play on it, but he had been a part of the Savages as they toured with this song, “Till The End Of The Night” and it’s brilliant B-Side, “Good Golly Miss Molly”: Nicky’s first recording … [146], Between the completion of Return to Waterloo and Avory's departure, the band had begun work on Word of Mouth, their final Arista album, released in November 1984. The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. "[176] [4][152] The induction, however, did not revive the Kinks' stalled career. Andy Miller points out that, despite its success, the single marks a turning point in the band's career—it would be their last entry into the UK Top Ten for three years: "In retrospect, 'Autumn Almanac' marked the first hint of trouble for the Kinks. Musicologist Eric Weisbard: "[Ray] Davies expanded the Kinks into a road troupe of perhaps a dozen costumed actors, singers and horn players. The band went through a series of lead vocalists, including Rod Stewart,[16] another student at William Grimshaw,[17] who performed with the group at least once in early 1962. passim ("Chart Positions" data). In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence. [3], Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). [23] The Ravens invited Mick Avory to replace him after seeing an advertisement Avory had placed in Melody Maker. They were crying at the end of it. [146] Avory left the band, and Henrit was brought in to take his place. Longtime keyboardist Ian Gibbons left the group and was replaced by Mark Haley. I'd like to get an album together, some of these not lost ideas but songs that have been shelved. [68] Music writers and other musicians have acknowledged the influence of the Kinks on the development of hard rock and heavy metal. [48] Davies had written "See My Friends" with a raga feel after hearing the early morning chants of local fishermen. Each has said that any reunion would be dependent on the other. [153] One single, "Only a Dream", narrowly failed to reach the British chart. Hollingsworth, Roy (21 July 1973). [47], A stopover in Bombay, India, during the band's Australian and Asian tour had led Davies to write the song "See My Friends", released as a single in July 1965. $149.99 (TVsantora) Nicky Hopkins. [44][45] After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. [107][108] After the success of "Lola", the band went on to release Percy in 1971, a soundtrack album to a film of the same name about a penis transplant. [138] In spring 1983, the song "Come Dancing" became their biggest American hit since "Tired of Waiting for You", peaking at number six. Numerous explanations of the name's genesis have been offered. Nicky Hopkins (born Nicholas Christian Hopkins (February 24, 1944, Harlesden, North London – September 6, 1994 in Nashville, Tennessee, U.S.) was an English pianist and organist. Nine of their albums charted in the Top 40. [9] The band then signed with Columbia Records and released the five-song EP Did Ya in 1991 which, despite being coupled with a new studio re-recording of the band's 1968 British hit "Days", failed to chart. He always elevated everybody. [12][13], The Davies brothers were born in suburban North London on Huntingdon Road, East Finchley, the youngest and the only boys among their family's eight children. One Long Kiss (feat. Their Zodiac sign is ♓Pisces.Their most notable profession was Musician.They are considered the most important person in history born with the first name of Nicky. Dec 30, 2016 - Great British Piano Player. [210] Despite not selling at the time of its release,The Kinks Are The Village Green Preservation Society was awarded a gold disc in the UK in 2018 for selling more than 100,000 copies. [153] In the same year, the band released the first version of the album To the Bone on their own Konk label in the UK. 2018/09/02 - Pinterest で takao_nagasawa さんのボード「Nicky Hopkins」を見てみましょう。。「洋楽, 洋楽 アルバム, ホプキンス」のアイデアをもっと見てみましょう。 "[26] "I've never really liked the name", Ray stated.[26]. The band did, however, manage to play a few major venues such as the Fillmore East and Whisky a Go Go. A piano is a piano, and the keys are the keys, and the chords are chords, but one individual can make that same piano sound so different from another person and Nicky embodied that whole thing, man. Hal Leonard Corporation. [25] Avory had a background in jazz drumming and had played one gig with the fledgling Rolling Stones. [115] Davies became depressed; during a July gig at White City Stadium he told the audience he was "fucking sick of the whole thing", and was retiring. Longest-serving member Mick Avory (drums and percussion) was replaced by Bob Henrit, formerly of Argent, in 1984. The ban cut them off from the American record buying public, the world's largest musical market,[3] forcing them to focus on Britain and mainland Europe. It was incorporated into the title of an outstanding Hopkins instrumental performance ("Edward, the Mad Shirt Grinder") released on Shady Grove in December 1969. As a Nicky Hopkins fan, I HOPE he isn’t the subject of Ray’s withering sarcasm. [44][45] To placate the police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. ... Their persistence is dignified, their virtues are stoic. [175] In a November 2019 interview, Dave Davies said of the new album's progress, "Well, me and Ray are still listening to our archive of Kinks stuff that we haven't used and trying to write new tracks. Beginning in the late 1970s, bands such as the Jam ("David Watts"), the Pretenders ("Stop Your Sobbing", "I Go to Sleep") and the Knack ("The Hard Way") recorded covers of Kinks songs, which helped bring attention to the group's new releases. I’ve also created a Nicky Hopkins’ Influences playlist on YouTube … The tour proved taxing and stressful—Pete Quaife recalled, "It was a chore, very dull, boring and straightforward ... We only did twenty minutes, but it used to drive me absolutely frantic, standing on stage and playing three notes over and over again. [6] The loud, distorted guitar riff and solo on "You Really Got Me"—played by Dave Davies and achieved by a slice he made in the speaker cone of his Elpico amplifier (referred to by the band as the "little green amp")—helped with the song's signature, gritty guitar sound. [3][4] The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965 (as a result of constant fighting between the brothers). [130] The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career,[3] however, they took a detour for pop music in the 1980s, which can be heard on almost all of their albums beginning with Give the People What They Want and continuing to their breakup. [205] The first two albums were differently released in UK and US partly due to difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due to the US albums including the hit singles, and the UK albums not; after The Kink Kontroversy in 1965 the albums were the same. I created a chronological and ongoing Nicky Hopkins playlist on YouTube which includes every song I’ve featured in the series thus far and will eventually span his entire career. "Thank you for the days, Ray". Jim Keltner (drums): Nobody in the world ever played piano like Nicky Hopkins – the way he played chords. [16][18], In late 1962, Ray Davies left home to study at Hornsey College of Art. [14], The brothers attended William Grimshaw Secondary Modern School (later merged with Tollington Grammar School to become Fortismere School), where they formed a band, the Ray Davies Quartet, with Ray's friend and classmate Pete Quaife and Quaife's friend John Start (although they would also be known as the Pete Quaife Quartet, if the bass player landed a gig for them instead). As a result it includes Avory on three tracks,[146] with Henrit and a drum machine on the rest. The Kinks had five Top 10 singles on the US Billboard chart. "[196], A musical, Sunny Afternoon, based on the early life of Ray Davies and the formation of the Kinks, opened at the Hampstead Theatre in April 2014. [113][114] In conjunction with the Preservation project, the Kinks' line-up was expanded to include a horn section and female backup singers, essentially reconfiguring the group as a theatrical troupe. "I decided I was going to use words more, and say things. [206] There have been somewhere between 100 and 200 compilation albums released worldwide. [109] The album, which consisted largely of instrumentals, did not receive positive reviews. Give The People What They Want, released in 1981, received its certification on 25 January 1982, for sales of 500,000 copies. "[120], Preservation Act 1 (1973) and Preservation Act 2 (1974) received generally poor reviews. "[56], A significant stylistic shift in the Kinks' music became evident in late 1965, with the appearance of singles like "A Well Respected Man" and "Dedicated Follower of Fashion", as well as the band's third album, The Kink Kontroversy,[4] on which session musician Nicky Hopkins made his first appearance with the group on keyboards. [3][113], Ray Davies' marital problems during this period began to affect the band adversely,[114] particularly after his wife, Rasa, took their children and left him in June 1973. [64] One of the group's first promotional music videos was produced for the song. [136] The record attained gold status and featured the UK hit single "Better Things" as well as "Destroyer", a major Mainstream Rock hit for the group. [32][33][34] Ray Davies wanted to re-record the song with a lean, raw sound, but Pye refused to fund another session; Davies was adamant, so the producer, Shel Talmy, broke the stalemate by underwriting the session himself. [144] Davies' commitment to writing, directing and scoring the new work caused tension in his relationship with his brother. [111], In 1973, Ray Davies dived headlong into the theatrical style, beginning with the rock opera Preservation, a sprawling chronicle of social revolution, and a more ambitious outgrowth of the earlier Village Green Preservation Society ethos. Their third single, the Ray Davies-penned "You Really Got Me",[4][5] became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. [85] In the face of the band's declining popularity, Davies continued to pursue his personal song-writing style while rebelling against the heavy demands placed on him to keep producing commercial hits, and the group continued to devote time to the studio, centering on a slowly developing project of Ray's called Village Green. [151] The Kinks followed Think Visual in 1987 with another live album, The Road, which was a mediocre commercial and critical performer. ... Smoother and tighter than on record, Preservation live proved funnier as well. Bassist John Dalton, who was initially hired to fill in for the injured Quaife, subsequently became his official replacement. I hope we'll get together and do something with them, but who knows. "; subsequently a punch was thrown and the AFM banned them. [159] Seeing the programming possibilities in his music/dialogue/reminiscence format, the American music television network VH1 launched a series of similar projects featuring established rock artists titled VH1 Storytellers. Andy Pyle was brought in to complete the sessions and to play on the subsequent tour. [40] After its release, the group recorded most of the tracks for their debut LP, simply titled Kinks. It had better songs on it than the first album, but it wasn't executed in the right way. 13 November 2018. Dave Davies explained, "There's nothing in the pipeline yet, but ... we'll see. Hopkins … [6][110] It was followed in 1972 by a double album, Everybody's in Show-Biz, which consisted of both studio tracks and live numbers recorded during a two-night stand at Carnegie Hall. [9] In the UK, the group had seventeen Top 20 singles along with five Top 10 albums. [81] Dave's second solo single, "Susannah's Still Alive", was released in the UK on 24 November. According to Ray Davies, the brothers were to meet in April to discuss future plans. We must get one of those. [139] The accompanying album, State of Confusion, was another commercial success, reaching number 12 in the US, but, like all the group's albums since 1967, it failed to chart in the UK. [109] The band's US label, Reprise, declined to release it in the US, precipitating a major dispute that contributed to the band's departure from the label. [154] The record drew respectable press but failed to chart in either the US or the UK. Gilbert, Jerry (21 July 1973). It reached number 41 in the US, the band's last entry into the Billboard Hot 100. [94], In early 1969, Quaife again told the band he was leaving. "[165] In November of that year Ray Davies reported that he had recently recorded with Avory "just to sort of try to do what we call demos ... we might do it in fits and starts and bring Dave in at a later date. [95][96][97] Ray Davies pleaded with him to return for the sessions for their upcoming album, but Quaife refused. [6] MCA Records ultimately dropped them, leaving the Kinks without a label deal for the first time in over a quarter of a century. The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records.While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins … As the band was not available to promote their material, subsequent releases met with little success. I played and I thought it was amazing. For their album of that name, see, "There were only a few bands that had this sorta really rough-sounding, what we used to call 'R&B' style in the Sixties. Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser. Kinks chronicler and historian Doug Hinman stated, "The symbolism of the event was impossible to overlook. [9][147] Their first album for the new labels, Think Visual, released later that year, was a moderate success, peaking at number 81 on the Billboard albums chart. [129] The record was a modest success, peaking at number 45 on the Billboard charts.[6][129]. [159] Dave Davies spoke favourably of a Kinks reunion in early 2003, and as the 40th anniversary of the group's breakthrough neared, both the Davies brothers expressed interest in working together again. The CD set also featured new treatments of many old Kinks hits. [99] The group's management quickly made plans for a North American tour, to help restore their standing in the US pop music scene. The band became an official five-piece in 1970, when keyboardist John Gosling joined them. pp. About an hour with Ray's my limit, so it would be a very short reunion. [54][55][56] According to Ray Davies, the band was not completely satisfied with the final cuts,[55][56] but pressure from the record company meant that no time was available to correct flaws in the mix. The 1980 live album One For The Road was certified gold on 8 December 1980. His playing was astonishingly beautiful. Nicky Hopkins, … It was also known by its catalogue number "AFL1-3603" because of its cover art, which depicted Dave Davies as a leather-jacketed piece of price-scanning barcode. [100] The tour was generally unsuccessful, as the group struggled to find cooperative promoters and interested audiences; many of the scheduled concert dates were cancelled. [101][102] The Kinks embarked on their tour of the US in October 1969. Miller states that "by the end of the year, the Kinks were rapidly sliding out of fashion". 217–219. [6][130] After its release and the recording of the follow-up, Misfits, Andy Pyle and keyboardist John Gosling left the group to work together on a separate project. [145] Another problem was the stormy end of the relationship between Ray Davies and Chrissie Hynde. Hopkins, the pale-faced, long- haired … [32] The single was released in August 1964, and, supported by a performance on the television show Ready Steady Go! Nicky Hopkins (born Nicholas Christian Hopkins (February 24, 1944 - September 6, 1994) was an English pianist and organist. American record producer Shel Talmy began working with the band, and the Beatles' promoter, Arthur Howes, was retained to schedule the Ravens' live shows. It's possible." [169] Dave Davies subsequently confirmed that the Davies brothers had recorded four or five demos of new songs together for a potential concept album in 2016, but that they had both become too distracted by their respective solo work to complete the project. Pop music journalist Robert Christgau called it "the most beautiful song in the English language",[75] and AllMusic senior editor Stephen Thomas Erlewine cited it as "possibly the most beautiful song of the rock and roll era". The band's first single was a cover of the Little Richard song "Long Tall Sally". The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records. [137] The tour culminated with a performance at the US Festival in San Bernardino, California, for a crowd of 205,000. The band gave its last public performance in 1996 and broke up in 1997 as a result of creative tension between the Davies brothers. "[195] Jon Savage wrote that The Kinks were an influence on late 1960s American psychedelic rock groups "like The Doors, Love and Jefferson Airplane". It included the US Top 40 hit "A Rock 'n' Roll Fantasy",[132] which helped make the record another success for the band. [167] On 18 December 2015, Ray Davies joined Dave Davies onstage at the Islington Assembly Hall in London to perform "You Really Got Me". The eponymous "Edward" was an alias of Nicky Hopkins derived from studio banter with Brian Jones. [77][78], The songs on the 1967 album, Something Else by the Kinks, developed the musical progressions of Face to Face, adding English music hall influences to the band's sound. Among numerous honours, they received the Ivor Novello Award for "Outstanding Service to British Music". He's invented something new.' Davies eventually refused to work with Avory,[146] and called for him to be replaced by Bob Henrit, former drummer of Argent (of which Jim Rodford had also been a member). Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. '"[26] Ray Davies' account conflicts with Wace's—he recalled that the name was coined by Larry Page, and referenced their "kinky" fashion sense. Now the record-biz legend steps out of the shadows and takes us on a tour from Ol' Blue Eyes to Red Hot Chili Peppers", "To Ray Davies, America is a 'beautiful but dangerous' place", "Dave Davies Returns to Little Green Street and talks about Dead End Street", "The Kinks' Ray Davies Serves Up Songs at the 'Working Man's Cafe, "London 2012 Olympics: The perfect stage for Ray Davies's Waterloo Sunset", "Arthur (Or the Decline and Fall of the British Empire)", "Lola Versus Powerman and the Moneygoround, Part One", "The Kinks Present Schoolboys In Disgrace", "The Kinks, "Father Christmas" "American Songwriter", "Original Kinks Bassist Pete Quaife Dead at 66", "Kinks reunion is 'down to Ray', says brother Dave Davies", "The Kinks' Dave Davies: 'I love my brother, I just can't stand to be with him, "We have questions – Ray Davies has answers", "Dave Davies talks 50 years of The Kinks, new disc before Musikfest Cafe show – Lehigh Valley Music Blog", "Watch the Kinks' Ray and Dave Davies Reunite Onstage", "ME AND RAY have not spoken about Kinks showS at all – although weRE TRYING TO WORK TOGETHER ON OTHER STUFF and have worked on music together", "Kinks' Dave Davies on New Solo LP, What's Standing in the Way of a Reunion", "Zombies bassist and former Kinks member Jim Rodford dies at 76", "Ray Davies: The Kinks are officially getting back together", NME: "Kinks keyboardist Ian Gibbons has died" 2 August 2019, https://www.spin.com/2019/07/the-kinks-recording-new-album-ray-davies-dave-davies/, "Dave Davies on the 'New Beginning' That the 'Arthur' Album Presented for the Kinks", "Ray Davies checks in with update on how 'Project Kinks' is progressing", https://www.culturesonar.com/ray-davies-working-out-the-kinks-of-a-reunion/, New York Times: Ray Davies on 30 Years of Lola 1 Dec. 2020, "Hall of Fame Anniversary Rocks on With Second All-Star Night", http://www.americansongwriter.com/2011/06/the-30-day-song-selection-spectacular-4-favorite-breakup-song/, "VIDEO: Queen's Brian May picks his favourite riffs", "London's Hampstead Theatre to Offer World Premiere of Sunny Afternoon, Early Life Story of Singer-Songwriter Ray Davies", "The Kinks: Musical to tell Ray Davies' early life story", "Ray Davies musical to premiere at Hampstead Theatre", "Julien Temple to direct Kinks biopic You Really Got Me", https://www.theguardian.com/music/2010/jun/25/pete-quaife-obituary, http://www.craigmorrison.com/spip.php?article114, Give the People What We Want: Songs of The Kinks, https://en.wikipedia.org/w/index.php?title=The_Kinks&oldid=994581047, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, John "The Baptist" Gosling – keyboards, piano, backing vocals, Gordon Edwards – keyboards, piano, backing vocals, Mark Haley – keyboards, piano, backing vocals, This page was last edited on 16 December 2020, at 13:31. 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